tag:blogger.com,1999:blog-8468679.post8573292155608896085..comments2023-10-08T14:50:52.609+05:30Comments on The mind is free: The two Kinds of Cinema I see!Indraneel Majumdarhttp://www.blogger.com/profile/17917146416623913157noreply@blogger.comBlogger5125tag:blogger.com,1999:blog-8468679.post-6625190204655129802010-12-03T08:22:14.624+05:302010-12-03T08:22:14.624+05:30Всем привет, ДА, это точноВсем привет, ДА, это точноAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-8468679.post-33157661539724162852010-11-30T19:01:48.431+05:302010-11-30T19:01:48.431+05:30Спасибо понравилось !Спасибо понравилось !Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-8468679.post-59096826151123960382010-11-30T12:42:45.927+05:302010-11-30T12:42:45.927+05:30Fatema,I shall choose a more simpler way to object...Fatema,I shall choose a more simpler way to objectivity while viewing a film amidst all the clamour with every film in the media. Vivaah! The film was by no means a small one. The Barjatyas who have a decent credential in Mumbai just decided not to do an high on hoopla release and released the film where they thought it would be low cost and high value. The content sold solely through word of mouth. People had no other means of knowing anything. The core value of good content was promoted. Viola! a hit!!<br />Info jumps at us from all around about cinema because it is the only means of simple entertainment that we have in life other than TV. We lap it up and pre judge a film. So, classifications happen. It matters that objectivity is there, but can only happen if the product has a bit of a mystery, like INCEPTION did. If not, be happy with whatever story floats amidest all the clutter before the content rules or is dumped.<br />All films are made with sincerity of at least 1 person, I would like to believe that. I would like to focus on that sincerity. I would like to believe in THAT passion. Wake Up Sid - The ambience and music, Rocket Singh - The brooding darkness and pithiness of Corporate India, Raajneeti - the clash of egoes, Udaan - fabulous sketch of a dysfuntional family, etc, all of them hits differently. Striker - goodness in adversity, Raavan - Raavan was human and a good person, brilliant as well and Ram was not all that clean, Aakrosh (new) - the misrule in hinterlands that has a strange perpetuated reality, Rakhtcharitra - trivialised violence to meet ends in power and politics(brilliantly done, ask any andhraite who has been through the eighties). all flop films but I had takeaways!Indraneel Majumdarhttps://www.blogger.com/profile/17917146416623913157noreply@blogger.comtag:blogger.com,1999:blog-8468679.post-79605619782972682892010-11-29T00:52:33.717+05:302010-11-29T00:52:33.717+05:30hmmmmmmm intrestinghmmmmmmm intrestingkartik krishnannoreply@blogger.comtag:blogger.com,1999:blog-8468679.post-59273627073181084282010-11-28T15:09:50.022+05:302010-11-28T15:09:50.022+05:30Wonder how the link to this did not show up on my ...Wonder how the link to this did not show up on my fb home page.<br /><br />Your question, 'who is right' struck me as an important link in this whole mess of cinema consumption and appreciation. Left to me, I'd tweak it more to 'what is right' rather...<br /><br />Yes, there are all kinds of films now, even more than two, as varied as we have moods and needs. Where we, some of the so-called discerning film-goers falter is carry a whole world of sub-conscious cinema experience plus the burden of expectation and personal values/likes. We put ALL of this on the poor film and absolutely shut out the voice of the film and film-maker. How will we see the inherent merit of the film then? <br /><br />I think the answer lies in why we watch films. Most of us watch it for vicarious pleasure. We want to be the hero or the heroine and the end has to be cathartic, elevate us from our everyday misery, perceived failures and evident weaknesses. Hence, when there are things that we don't see ourselves doing (because of the burden of the above-mentioned things) we outrightly reject the film as bad, incompetent and so on.<br /><br />Objectivity is a rare virtue and can hardly be cultivated. It is either you have it or you don't. (Do let me know your take on this, I may be wrong) But this objectivity comes from two things. along with a dedicated open-minded, absorbing and learning mind, it also depends on why one goes to watch the film.<br /><br />Now, I speak for myself alone. I don't go for vicarious pleasure because it is a limited and temporary take-away. I go to be involved and be a part of another world, that may or may not be like mine. Yes, in some ways this is deriving vicarious pleasure too but the primary thing is this very experimenting mind-set gives me the ability to see the world for what it is and appreciate its positives even if I don't like them or they don't resonate with me. I think it is this, why we go to the movies that is more important. What do you think? And once we accept/define that then appreciation of the film will be fairer and less vicious?Fatemahttp://filmsandwords.blog.comnoreply@blogger.com