Friday, October 27, 2017

Secret Superstar and a Mum

A scene within a home. A family is told by the man of the house that they will have to go a party. The wife is told to make an exception in her attire as the gathering is a bit modern. She does not have to wear the Burqa. She is happy and dresses up. Pertinently, the daughter is not told to go along. The daughter is a teen. Appearing for Class 10.

The mother decks up. The man comments that there is a necklace missing in her attire. He asks her to take out the "only" necklace that she owns. Fear sets in. The lady cannot tell the truth. That she sold the necklace and bought a laptop for the daughter. Fear makes her fumble. Fear makes her daughter discover the truth. Fear makes them look at each other in utter helplessness. Fear makes the man bigger than he actually is. A ritual of physical abuse starts as everyone cowers in fright.

The story of "Secret Superstar" is not so much about a girl going against all odds, meeting a mentor and making it. It is all about a woman discovering her voice against abuse and dependence.

Numerous small moments strike you. The mother raising her arms and doing a jig as her husband leaves for another country, in relief. The grandma telling a story about a mother desperately running away to save the girl child in her womb. A money making tuition teacher realizing the plight of the girl who tries to apply herself to studies in spite of a very abusive home. A mother who buys a guitar for her six year old daughter. A canny mentor searches his soul through a forgotten song. A daughter discovers the plight of love in her little brother's handiwork with scotch tape. And TV, to escape the mundane existences in middle class India.

In all this, a very lovely teen love affair blossoms knowing fully well that it will be crushed by hard reality. Hindu - Muslim. In Gujarat. She, having stars in her eyes. He, a middle class steady boy, knowing his place. And they get a permission to be together from the mother on their last day at school. He takes her to his home. She's fed aam, very aam moment but powerful in the message. It's over. Because, he knows that the girl and her parents are going away to another country.

Yes, it is again the magic of cinema. It can be manipulative at times like Aamir Khan's efforts with another story about a buck tooth autistic boy a decade back. But it is streets ahead of any other maker's vision.

All the actors are in form. Zaira Wasim and Meher Vij are unstoppable in their roles as daughter and mother respectively. Meher has many close ups and her eyes are so expressive and similar to Zaira's that it makes them mother and daughter in more ways than screen. Raj Arjun has been around and he revels in the father's role. The violence is implicit and in his demeanor and that's commendable work. But the scene stealer is the classmate cum boy friend called Chintan. Tirth Sharma does the role and he just rocks every scene he is in. That includes roaming a city in an autographed shirt.

The songs could have been better. In a film about songs and talent, the songs are not catchy, that's sad. Amit Trivedi, such chances do not come by so easily.

Know the name, Advait Chandan, the director. His idea of stories on film is just about blossoming. Like, his "Secret Superstar".

Jubilee!

Do you people know "Jubilee Kumar"? No na, I thought so! Jubilee Kumar was reigning deity of Hindi Cinema between some time in late 50s to somewhere in the late 60s. He was there later too. But no one called him Jubilee Kumar anymore. He was called Papa of Kumar Gaurav. Please don't ask who was Kumar Gaurav. I will have to search for the right chappal to throw at your mirror. Jubilee Kumar was thick in the waist. He never danced. At best, his hands swung and his head bobbed around to the mood of the song playing in the background, usually sung by Mohd. Rafi. The heroines did all the hard work. It's like an immobile doubles partner in Tennis or Badminton. The agile guy did all the work and the stationery guy, well, just remained stationed and watched in glee. But yet, Jubilee Kumar turned out hit after hit. Some said, lucky guy. Some said, the heroines toiled and made it for him. Some said, he bought out the tickets of some key cinema halls in Bombay and ensured full houses. Word travelled and a middling film became a hit. Rajendra Kumar, if you must know his actual name. I feel like "Jubilee Kumar" today. I floated in a river of genius friends, classmates, colleagues, fellow cricketers and footballers, professionals, family members, minstrels, wandering monks and general busy bodies. People kept throwing lifeboats and wooden logs to save me in the gushing torrents. I drank water, coughed, yelled and paddled along awkwardly with these geniuses and here I am, "Jubilee"! I feel like the Rajendra, the Sehwag, the Madhavrao, the Venkatraghavan, the Bikas Panji, the Mulgaonkar, the Vani Jayram, the Mahendra Kapoor and the Chunky Pandey of my times and journeys. The journeyman. The survivor. The "Shavaasan" expert.