Rahul and Cobb. One dreading his father and not wanting to return home but has to as he is expelled from a boarding school and the private hell he goes through thereafter, and the other is already in a similar private hell as he is in a profession that essentially steals the dreams of people and yet he yearns for a family that cannot be his as he is too far out!
Udaan and Inception.
Two films, two languages, cinematic and cultural differences, and yet the message seemed the same. Break free!
I identify with the Rahul of Udaan for what aspires to and cannot become at home, with his family. Why, it is probably a secret dream of many a young man to do something different. The poems, his notebook where he writes very good stuff, the lonesome evenings beside the rail tracks, hill sides, mofussil roads all point to his inner calm and serenity whereas his outer world is an edgy battle against presiding terror.
But Cobb in Inception is also the same and a conversed manner. He has aspired and become what he wanted to, the seeker of dreams and its architecture, but gone farther in loaning out his expertise for bucks. His turmoil and terror then is within his head whereas he is calm, calculating and a leader outwardly.
But does that help in getting a life a for either of them at the end of the stories. We don't know. They have broken free. Through the tyranny and terror. But are they really free. Both the writers/Directors, Motwane and Nolan, have left it to us to understand and figure out.
Sizzling stuff. Both. Dramatic confrontations. The world coming apart for the protagonists in both but uncannily both the films show the triumph of the human spirit.
Go see both of them!
