Secret Superstar and a Mum

A scene within a home. A family is told by the man of the house that they will have to go a party. The wife is told to make an exception in her attire as the gathering is a bit modern. She does not have to wear the Burqa. She is happy and dresses up. Pertinently, the daughter is not told to go along. The daughter is a teen. Appearing for Class 10.

The mother decks up. The man comments that there is a necklace missing in her attire. He asks her to take out the "only" necklace that she owns. Fear sets in. The lady cannot tell the truth. That she sold the necklace and bought a laptop for the daughter. Fear makes her fumble. Fear makes her daughter discover the truth. Fear makes them look at each other in utter helplessness. Fear makes the man bigger than he actually is. A ritual of physical abuse starts as everyone cowers in fright.

The story of "Secret Superstar" is not so much about a girl going against all odds, meeting a mentor and making it. It is all about a woman discovering her voice against abuse and dependence.

Numerous small moments strike you. The mother raising her arms and doing a jig as her husband leaves for another country, in relief. The grandma telling a story about a mother desperately running away to save the girl child in her womb. A money making tuition teacher realizing the plight of the girl who tries to apply herself to studies in spite of a very abusive home. A mother who buys a guitar for her six year old daughter. A canny mentor searches his soul through a forgotten song. A daughter discovers the plight of love in her little brother's handiwork with scotch tape. And TV, to escape the mundane existences in middle class India.

In all this, a very lovely teen love affair blossoms knowing fully well that it will be crushed by hard reality. Hindu - Muslim. In Gujarat. She, having stars in her eyes. He, a middle class steady boy, knowing his place. And they get a permission to be together from the mother on their last day at school. He takes her to his home. She's fed aam, very aam moment but powerful in the message. It's over. Because, he knows that the girl and her parents are going away to another country.

Yes, it is again the magic of cinema. It can be manipulative at times like Aamir Khan's efforts with another story about a buck tooth autistic boy a decade back. But it is streets ahead of any other maker's vision.

All the actors are in form. Zaira Wasim and Meher Vij are unstoppable in their roles as daughter and mother respectively. Meher has many close ups and her eyes are so expressive and similar to Zaira's that it makes them mother and daughter in more ways than screen. Raj Arjun has been around and he revels in the father's role. The violence is implicit and in his demeanor and that's commendable work. But the scene stealer is the classmate cum boy friend called Chintan. Tirth Sharma does the role and he just rocks every scene he is in. That includes roaming a city in an autographed shirt.

The songs could have been better. In a film about songs and talent, the songs are not catchy, that's sad. Amit Trivedi, such chances do not come by so easily.

Know the name, Advait Chandan, the director. His idea of stories on film is just about blossoming. Like, his "Secret Superstar".

Jubilee!

Do you people know "Jubilee Kumar"? No na, I thought so! Jubilee Kumar was reigning deity of Hindi Cinema between some time in late 50s to somewhere in the late 60s. He was there later too. But no one called him Jubilee Kumar anymore. He was called Papa of Kumar Gaurav. Please don't ask who was Kumar Gaurav. I will have to search for the right chappal to throw at your mirror. Jubilee Kumar was thick in the waist. He never danced. At best, his hands swung and his head bobbed around to the mood of the song playing in the background, usually sung by Mohd. Rafi. The heroines did all the hard work. It's like an immobile doubles partner in Tennis or Badminton. The agile guy did all the work and the stationery guy, well, just remained stationed and watched in glee. But yet, Jubilee Kumar turned out hit after hit. Some said, lucky guy. Some said, the heroines toiled and made it for him. Some said, he bought out the tickets of some key cinema halls in Bombay and ensured full houses. Word travelled and a middling film became a hit. Rajendra Kumar, if you must know his actual name. I feel like "Jubilee Kumar" today. I floated in a river of genius friends, classmates, colleagues, fellow cricketers and footballers, professionals, family members, minstrels, wandering monks and general busy bodies. People kept throwing lifeboats and wooden logs to save me in the gushing torrents. I drank water, coughed, yelled and paddled along awkwardly with these geniuses and here I am, "Jubilee"! I feel like the Rajendra, the Sehwag, the Madhavrao, the Venkatraghavan, the Bikas Panji, the Mulgaonkar, the Vani Jayram, the Mahendra Kapoor and the Chunky Pandey of my times and journeys. The journeyman. The survivor. The "Shavaasan" expert.

Check this out!!

Roger Ebert is out with his best 10 List...Top of the tops!!..in Movies 2007!!!

http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20071220/COMMENTARY/176124809

Mesmeric Taare...

Many years ago, a child used to don his Stretchlon half pants, his favourite navy blue sweater and a pair of worn out Hawai chappals to go pottering out in the misty countryside of Nilgiris. He studied rivulets, grasshoppers, droplets of rain and layers of oil only on one side of a Eucalyptus leaf. He was a loner and had to work very hard to keep up in class.

Taare Zameen Par reminds me of that boy, his anxieties, his rebellions, his lies and failures, his truths and successes. It reminds me of a lot more. Of pushy parents, of testy uncles, of indifferent teachers, of insular neighbours and above all it reminds me of unrivalled joys in the nature of life!

Taare Zameen Par is a very mature take on essence of childhood, relationships and parenthood. It talks about many things that hinges around a dyslexic boy, his situations and the indifference that he has to cope with before his drawing teacher who empathizes pulls him out of the morass.

Taare Zameen Par is a story that is a unique sum of many beautiful moments, emotional and apt. A few samples are on offer:
Nikumbh (Aamir Khan) is very disturbed on seeing the paintings by Ishaan (Darsheel Safary) in the child’s home and is aching at heart. He cannot be rude to the parents. The parents are naturally anxious on seeing him at their place. He wonders what to say. He asks for a glass of water! The tension is crackling. We are a part of it!!
The housemaster is at the entrance of the hostel on a bench. The sun is setting. Ishaan comes back from a lonely stroll. The Housemaster asks where had he been to, very authoritatively, but takes him into the hostel with a hand at his shoulder. Love in unknown forms!
The mother retrieves Ishaan’s flipbook. The mother and we see the contents of the flipbook again and again. Both of us register Ishaan’s loneliness and hopelessness. Both of us are stricken. Very moving!
Ishaan is told to get out of the class. He has to be brave and hs to be showing it to his classmates. So he does that classic fist pump, “Yess” and walks out jauntily. He is happy, we smile but there is huge undercurrent of solitude in this act of his!
Ishaan is buying Icegola. He is more interested in what is being done with the Ice by the server. We are taken in by the act. Then, it is served to a child perched on the shoulders of a bare bodied labourer. The child starts eating the Icegola. The labourer turns and walks away, proud and erect, for us and for his child. Mesmeric symmetry in thought and shot! And all this happened in the course of a song. Wow!!
Nikumbh keeps Ishaan back in class after he has explained dyslexia in class. He then reveals the identity of another person who was not mentioned in front of the whole class. Ishaan looks on in trepidation. Nikumbh reveals about himself. Fabulous moment. A story in itself!!
The father is extremely miffed with Ishaan. He is packing. Ishaan asks where is he going. He says he is going away from home. Ishaan is sorry. He keeps repeating ‘Sorry’. We are taken in. His mother intervenes. She says his father is lying. Ishaan is now angry at the betrayal. A mini satire on parents today!

Then, there are the plot points that drive the story and the involvement by leaps and bounds. That needs to be seen on screen.

Some narrative styles are new with an animated song and a documentary ending. The dialogue is kept to a minimum in most part of the movie allowing us to soak in the atmosphere, the child’s urges, loneliness and intelligence.

In fact, the camerawork, sound design and lighting communicate with us directly using the silence and the background music as communicating tools. Just great!

Here is where the team scores. Here is where the story truly catches us and takes us into Ishaan’s world. This is the most unique contribution of Aamir Khan, the director, Amol Gupte, the Creative director and the writer and Deepa Bhatia, the Editor of this film.

The actors suited their roles to a T. The surprise was how each kid was handled. Darsheel and Tanay (as Ishaan’s friend Rajan) turn in majestic performances. Tisca Chopra, as the mother, is a revelation. Aamir did not act. He just felt his character. Flawless!!
The teachers were probably told to be a little over the top. Indian Cinema needs, I guess!

Taare Zameen Par is truly path breaking and has to be seen by one and all and for their own reasons. It is compelling middle of the road cinema. Something that has disappeared since a gentleman named Hrishikesh Mukherjee had stopped making movies.

Oh, by the way, the boy from the first few lines was yours truly 30 years back!

Johnny Gaddar - GR8!!

I was never interested in the typical 70s thriller genre of Hindi movies.
PFC kept telling us that Johnny Gaddar was one hell of a movie and that one
should miss it, whensoever it comes to the neighbourhood multiplex..fair
enough!!
I waited, read about how Sriram Raghavan (the guy who made the film
yaar..)had been sitting with the script for a long while before Adlabs got
interested in making the movie. Of course, Sriram had Ek Hasina Thi to back
his script. But well, you know how it goes at the movies..Even Vikram Bhatt
started with an original movie..look where he went!!
Then, the day arrived and I went to see JG..not many people in the hall..we
were just two of us..the movie started. The 70's style titles and montage
went by and someone was killed!! Oh yeah!..Sriram had me by the hook then
on..I won't give away the plotline, save your foul breath, guys!!
But..but..I was amazed by the dexterity of the director. Every scene was
economical, stood out for itself, perfect shot compositions, yummy teasers,
fabulous silences, textured lighting moods, grand soundtrack for back up,
kick ass dialogues.."Pure Non Vegetarian"..goes Kalyan (Govind Namdeo in a
whammo cameo), terrific sets (Neil's home is just too very cool). All in
all, I could see that here was one director who took the best short cut to a
good movie..A VERY TIGHT SCRIPT..Cool!
If this is the way Indian movies are to go, then boy..I'm relishing it!!!!
Neil Mukesh is the find of the movie. Again, economy in presentation of his
character worked. I hear he has a good friend in a lad named Hrithik Roshan.
That's another actor who has an ample amount of screen presence. Zakir
Hussain is class and Vinay Pathak just leaves me speechless with each turn
out of his. "Jab kissi ki kismat itni saath de rahi ho to usse ungli nahin
karte!!"...Waah!! Dharam paaji was decent and Riimii was OK. Another
surprise was Ashwini as Vinay's wife in the movie. She played the hyper wife
a la Shefali Shah in SATYA to perfection.
My Idea of a good day out is something like Johnny Gaddar from now on!!

I saw "RGV ki Aag"the film yesterday with the wife in a Pune multiplex. The hall was 40% full (a 400 seater). My wife had already called up friends in Mumbai and got the news that it was bad. She wanted to see Dhokha. But my RGV success anxiety made me chose this film. When we queued up for the tickets we could see that people were ignoring Aag and plumping for Dhokha and Heyy Babyy. I put it to RGV fatigue. 1 good movie and all of them would again fall in line for true blue RGV movie again.Then, the movie started. I could actually see that here was a completely off kilt script going in no direction except run down every original Sholay situation. Nisha Kothari was so awful and poorly characterised that she was actually fumbling and the editors could not do anything with her large screen presence. Ajay and Prashant did not have even one single memorable line. Forget, the original sholay…this did not get upto TLV Prasad levels..then poor Mohanlal had a characterisation that could not evoke any sympathy, honour or a sense of belonging!Sushmita was plain disinterested. I think she had smelt long back that she had been hard done by the director.Into this muddle came in AB. Now, It was very apparent that AB wanted to rule the frames from the time he came into the picture. But, with all the problems in the characterizations..he was plain stupid..one minute he was groaning..next he was giggling…suddenly he was roaring..then he was limping…then he was striding across the screen…HERE IS WHERE I FOUND THAT THE MEGALOMANIAC WAS NOT ONE BUT “TWO” - RGV AND BIG B.What do you do when you have two people intent on destroying a movie for themselves and their whims!AB is at such a point where is starting to go overboard in his portrayals if he is not guided well as he is like that guy who says “I know it all and I can do it all”. Also that he had done pretty much everything over all these years, so he wanted to get kinky and quirky..and How!!!RGV let him be and constructed the rest of the movie around his antics…imagine the thing with Urmila in the car!! So bloody unnecessary and tasteless!Also, just as I feared…any remake of Sholay needed a big budget..and I know RGV has tight budgets these days..so he did what he could..put the whole set up in some rundown factory lot…and that looked..in spite of some ajeebogareeb cam angles..no that does not make good frames..sorry..the lack of budget came through totally..even the Ooty - Mithunda movies have better finishes!!!!Probably, the first time…i had no good word for a RGV movie..I feared it..seeing the poster and how all the other decent actors were elbowed aside by Urmila’s boobs and AB’s smirk!!If RGV has such an ache for Urmi..he should sort out his issues, get back with her, stop that Nisha business…and at least try to make another decent prequel, sequel or anything of Satya!!! Because only she lived at the end of it!!!! Probably, that would be much more palatable…Now, all of you..be forewarned about Sarkar Raj…the two megalos are at work there too…thsi time I shall take it easy and catch the movie if I hear at least ONE guy here speak of it in decent terms!!!Imagine..to get over, I had to see “Bawarchi” midnight on to smile through and regain my faith in the movies!!

passion for cinema - Anurag Kashyap's Blog

Reading Anurag Kashyap's posts in "Passion for cinema" blog today. Actually, studying that man's intellect, desires, motivations, likes, dislikes and whims. At long last, here is a man other than RGV, his cronies, Imtiaz Ali, Sanjay Khanduri, Rajesh Bellary, Sourabh Shukla AND A FEW OTHERS, who is looking to take Indian Cinema on another route.

To think that, he has not been able to release his major works, Paanch and Gulaal, uptil now.

The man is a genius. I can vouch for that as I have seen Satya, Yuva, Water and the other films that he has written. I also own the DVD of Black Friday and that is compulsary screening on my player every Saturday night.

I am going to look at the cult artist's career very closely. I know he shall make a big mark on the celluloid of this country.

Cheers to AK and his NO SMOKING!!

Movies - 2006

Friends, it was a great year for Indian movies. Movies did well at the box office and there were some gems. I would like to put them up here as I feel is best.

Dor – This is for the thought process of the director. The sweep of the film truly left me a little breathless. Nagesh has not worked with a rural canvas (a little of Iqbal notwithstanding) before. But the modern sensibility of the hinterland woman was exceptionally brought to screen. Bravo!
Omkara – A story needs to be told only in this manner. Gripping, with all the right colours, props and dialogues in place. The acting was of a high grade and there was no compromise on sensibility. Shakespeare himself would have been really impressed. Note the first scene, Saif and Dobriyal; and the climax, fitting props to great story telling!!
Khosla ka Ghosla – Boman, Boman and Boman!!! Just Amazing with Pravin Dabas and Ranveer Sheroy throwing in their weight too!
Lago Raho… - Just for the Chutzpah of the lead pair and the funky storyline, all the crowds that day in the plex came out with a smile!! That says a lot for Hirani’s scrpt and direction!
Gangster – Shiny’s restraint in some scenes were just superb. Anurag is a nice director and actually it was hard to find fault in the movie. Pritam put up some great numbers…typical Bollywood but good!!
Rang de… - Caps off the list….great team…wonderful camera work. The lead team were suited to the roles like purring Rolls in motion. Surprises – Siddharth Narayan – this man is sure to go places…and Sharman Joshi, if he handles his career well, he could do a great deal of nice work!
That’s it…yeah..I could have added Krissh, Pyar ke side effects, Taxi No. 9211, etc. but this was a good list..I feel so!

'chocolate' Huh!!

I saw a movie named 'Chocolate' yesterday. It had a curious blend of Hitchcockian suspense (highly inspired), John Woo action and typical Hindi filmi dialogues. Already, guys must be thinking as to what this pot pourri could mean!!
That is the whole problem....the movie was all up in knots till the intermission. It did itself a lot of justice by the end. The concept was fine but the scrpting was loose. So, the movie dragged a bit and I, for one, was tired of all the boobs and legs by the end of the movie.
Performances were uniform and no surprises here. I thought Anil Kapoor and Irrfan did a competent job.
But the girls continue to disappoint. I am yet to see a breakthrough performance this year, except Shweta Prasad's performance in Iqbal.
But 'wow' the 'sex' word was quite ....EXPLICIT.

umm....Indian movies coming of age (18)!!??